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10 paintings by great artists
Before the invention of photography, People kept the memory of various historical events in the paintings. Such paintings often romanticized the struggle or presented various scenes in a distorted form to convey the horror experienced by our ancestors. Here are examples of the darkest and most disturbing paintings, which depict historical atrocities and disasters over the past 450 years. They perfectly reflect the horrors that happened many years ago.
1. Beating of infants (c. 1565-1567). Peter Brueghel the Elder
Bruegel, a Flemish Renaissance artist, based the plot of his painting on biblical history. The Jewish king Herod the Great, learning about the birth of a baby who will become the new king of ancient Israel and Judea, ordered to kill all the boys under the age of 2 years. Continue reading
19th Century Girl Albums
The young ladies of the 19th century were not so different from the modern ones: they also needed attention, recognition, evidence of sympathy from friends and, of course, a cordial secret, which was expressed in allegories and symbols – often poetic. Now social networks are used for this, then – albums, quite intimate, but not closed from other manuscript books.
Album History
Unlike diaries closed from prying eyes, albums were created to be shown – to friends and relatives, to those who would also be asked to leave a record. The albums were filled with the “wrong hand”, but at the same time bore the imprint of the owner’s personality – it was he who determined who to include in his inner circle and whose work to keep as a keepsake. Continue reading
“The Invisible Artist”, which creates paintings on people, like on canvases
Since today many acts of civil protest in China remain strictly prohibited, a well-known Chinese artist-photographer, master of the original creative camouflage of people, Liu Bolin invented a unique technique for expressing one’s own opinion and view on pressing problems of society. Working with his team of professionals, Bolin seems to dissolve himself and his employees in space, merging with the environment, which emphasizes that modern man is invisible and of little significance to government structures and those in power.
He, with the help of his assistants, fits organically into both urban and natural landscapes, as well as supermarkets and various works of art. Bolin as a canvas can stand, without moving, in one place for several hours against a selected background, while his assistants paint it from head to toe, trying to mix it with the environment. Continue reading
