The dramatic fate of Princess Tenisheva
June 1 (old style – May 20) marks the 150th anniversary of the birth of an outstanding woman whose contribution to the development of Russian culture can hardly be overestimated. Princess Maria Tenisheva was a collector, philanthropist, public figure and enamel artist. Turgenev regretted not having time to write a story about her, she posed for Repin, Serov, Korovin and Vrubel. Contemporaries called her “the heroine of our time” and “the pride of all of Russia,” and today, her name is hardly known to the majority and undeservedly forgotten. Continue reading
What Censorship Looks Like at Christian College
For many centuries, it was religion that prompted brilliant people to create their masterpieces. It was during the construction of churches that architects revealed their talents, and most of the artists whom we now consider classics painted their paintings and created murals commissioned by churches. Recently, a student at a Christian college in Florida showed how they are now teaching art in a religious institution.
We are talking about Pensacola Christian College, which is located in the southeastern United States, that is, on the territory of the so-called “Bible Belt” – a region where religion plays one of the main aspects of culture, and where the population is traditionally quite religious. Continue reading
How Russian artist Makovsky painted a portrait of the US president and opened the “Russian style” to Americans
At the beginning of the 20th century, the Western world discovered the Russian style. Sundresses, kokoshniks, furs and precious fabrics, boyars and feasts – this is exactly such Russia that the great Russian artist Konstantin Makovsky showed the Americans on his canvases. The success of the “Russian Rubens” in America was so great that Konstantin Egorovich in 1901 decided to visit the New World. During this trip, the craftsmen were invited to paint a portrait of US President Theodore Roosevelt.
The conventional wisdom that talent should be hungry was clearly not related to Konstantin Egorovich Makovsky. At the end of the 19th century, he was probably one of the most successful and sought-after masters in Russia. Continue reading